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[April 18, 2025 | #555]
Every suso is a superposition of nine disjoint permutation matrices of order nine (its nine colors, or nine voices), and you can dissect it accordingly. Such a dissection of a suso is materialized in the object shown in the pictures in this post.
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[April 7, 2025 | #554]
In the Grand Hospice in Brussels, on March 26th, I had the great pleasure of performing with Huijun Yi (voice, guzheng) and Shih-wen Lee (double bass) in the 54th edition of the series of One Moment Free Improvisation (OMFI) events. As part of that performance, quite unexpectedly and unprepared, I recounted the story of my mother's Xmas-trees. Read it all, and listen to the evening's finale!
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[March 15, 2025 | #553]
On Tuesday February 18th I was Nicholas Horber's telephone guest in the first edition of his 'The Yellow Submarine' emission on radio TT-Node, broadcast live from the KunschTTurm Club in an apartment on the 22nd floor of the Tour de l'Europe in Mulhouse, France. This linked text is an edited version of a transcript of the archived recording of our conversation, in Dutch. With playlist!
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[March 1, 2025 | #552]
'Applaus!' and 'Rites' are two recent rhythm based suso pieces that ideally will run through the full set of distinct colorations of the initial sudokos. 'Applaus!' then will last one, and 'Rites' will play for five full years. Read here all the combinatorial details, and some reflections on the signification of this 'sudokist serrealism'.
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[February 4, 2025 | #551]
In this paper based upon a Rebus/Har$ presentation at the PoM (Politics of the Machines) 2024 conference in Aachen, Germany, on April 25 2024, we analyse the re-evaluation of parasitism in art and contemporary music as a crucial catalyst for creativity and evolution, emphasizing ideas on the ontological anteriority of the continuous over the discrete, as articulated e.g. in mathematics by Rene Thom.
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[January 20, 2025]
 Also by our very small-scale presence on the big social media platforms and interactions with handfuls of friends and acquaintances, we support and sustain the devious selfish actions and political goals of the likes of Mu, Zu, Tru. The price we pay for the free use of X, Meta and related parts of the web got out of bounds. As an alternative, please consider subscribing to my old-school occasional email newsletter to keep in touch.
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[January 23, 2025 | #550]
In this new chapter documenting my sudokist dreams and adventures, besides a number of technicalities, there is a detailed description of 'war drift', a sudoku piece for violoncello and voice(s) speaking (Dutch) words, of how to generate 12-sudokus in which all rows (or columns) are costas arrays, and a whole lot of additions to my list with things that one day may be.
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[July 14, 2022 | #524]
On this year's Bastille Day, 'Histoire de l'Art' became available on the Athens based Coherent States label, with catalogue number CS.44. It can be had as a digital download, but also as a carefully crafted and packed CDr... : "The history of art is a history of repetition.
Like the history of man, like the history of worlds." ...
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[July 12, 2022 | #523]
Over this year's last weekend of June, we trained over from Paris to Berlin, to partake in Jeff 'Zeromoon' Surak's series of 'Zero Cohesion' events, at Liebig12 in Friedrichshain's Liebigstrasse. The first of 3 'zero-coh unPublics' was the 82nd one, when on the evening of Friday 24th in sound making we united with Jeff Surak and Chester Hawkins.
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[July 02, 2022 | #522]
The 81st unpublic came to be on June 22nd in La Generale Nord-Est, when a group of 12 XPUB artists/students of the Rotterdam Piet Zwart institute were joined by Mr. Lili on violin and me dictaphoning, in an elliptical configuration along which the imaginary hands of a watch (a short one and a long one) erred between 30 randomly picked clock-positions... We thus became Masters of Time... for as long as it lasted
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